I repeat myself, again, and again, and again... But I'm like the watcher on the Titanic that is screaming not "Iceberg! Iceberg!" (that was a while ago) but instead "water, lot of water in the ship! we are going to sink soon!!"...
And the reaction at the Grand Cafe de la Poste (the "salotto" in Perpignan's VISA) is still the same: more wine, and beer, and hidden-under-the-table-bottles-of-whiskey.. No, not to forget. On the contrary.. Still talking more of the future in photojournalism, the coming projects, the ever-under-the-arm portfolios to show at any given occasion...
But very few professionals (photographers, agents, photo editors) are in Perpignan this year, or, at least, much less then usual. Who works and lives producing images (we hope good, valuable, useful images) feels like VISA is not helping in these troubled times. What we should be talking about in here is how the future should shape itself rather then keep doing less and less of the old same..
Where would be a better place and occasion then at this world forum where all the actors are congregating for a week? And I find ridiculous that on the VISA website the very opening is declearing that "photojournalism is dead" and then is proposing no discussion and confrontation on the matter: what is this, a requiem?
I see good, strong photos in the exhibitions, and is sad to know that very few of them will find some pages where to be published (therefore being seen, fulfilling their journalistic mission..)
Where are the discussions on the new media, the new ethical parameters, the problems of accessing the real news for the ever more controlled reporters? Where?
Somebody is still asserting that the real important thing is to stick to the technical limits inherited from the chemical darkroom!!! What? Whaaaat?
The world is changing, changing fast... and the Titanic is sinking, even faster... Let's save all what is worth saving of our precious, essential part of culture and information..
have fun there, best regards from Tirana, Stefan
ReplyDelete""I see good, strong photos in the exhibitions, and is sad to know that very few of them will find some pages where to be published (therefore being seen, fulfilling their journalistic mission..)
ReplyDeleteyes many strong photos around in exhibitions.... I agree.
Somebody is still asserting that the real important thing is to stick to the technical limits inherited from the chemical darkroom!!! What?
Whaaaat?""
not if your able to show good prints, do what you feel like.. just show good prints, most digital prints, I see in "the strong exhibitions" are crappy quality... so then, I prefer to see also good quality, not only in content.
Yes Stefan,
ReplyDeleteI know that you, like myself and many others, are sensible to the quality of the photos..
But Perpignan is, or should be, primarily a photo-journalistic and not a Photo-artistic event... Therefore I think the presentation of images should be as important as their potential diffusion..